salt sequence iii
german photographer tom hegen offers an uncanny overview of the earth’s floor with the third continuation of his salt collection. with each other with his spouse and helicopter pilot, lars gange, tom hegen captures the photographs higher previously mentioned utah’s wonderful salt lake. the frequently orthographic standpoint, alongside one another with meticulous framing, benefits in an ambiguous and graphic area.
the limitless, artificially-manufactured salt flats are at times isolated from any evident semblance of human get in touch with, suggesting an abstract portray. in other pictures, the photographer incorporates things of context — a highway, an electrical tower — which ground the viewer into familiarity. the flattened patterning remembers an illustration or a painting.
all pictures © tom hegen | @tomhegen.de
tom hegen’s otherworldly landscapes
describing the otherworldly natural environment captured in just his salt collection III, tom hegen (see much more in this article) proceeds: ‘the extraction of sea salt is just one of the oldest forms of human landscaping, and it is the oldest strategy of salt generation. salt is a raw substance that is now aspect of our every day lives, but we seldom inquire wherever it arrives from and how it is created. the salt collection III explores these produced landscapes, their abstract and painterly high-quality. sea salt creation web-sites are discovered all above the earth, typically positioned all over shallow shorelines.
‘the artificially-established ponds shown in the salt series III are a single of the core features in sea salt manufacturing: the sun and wind then evaporate most of the seawater from the ponds, leaving at the rear of drinking water with a large salt focus identified as brine. each salt pond has a unique salt density, and the color of the water implies the salinity of each pond.’
tom hegen carries on, describing the salt collection III: ‘this microscopic alga, also known as the dunaliella salina, is eaten by small shrimp. as the h2o becomes also salty, the shrimps disappear, causing the algae to boost and the colour of the ponds to intensify. as a result, the colours can change from lighter shades of environmentally friendly to vibrant red. after the ponds have dried out, a crust of salt is left behind. workers then harvest the salt by delicately lifting the salt crust from the flooring.
’the potent contrasts and geometric styles of the salt ponds resemble summary paintings. our need to have to arrange almost everything in geometric purchase, control, and have handle helps make us all — in a perception — to designers of our atmosphere. I see myself as a curator, framing the artworks that the existence of people has designed.’