"Still Life #482" by N. Penney Denning

It is tempting to search for a story, a theme or a information in the vibrant collages of N. Penney Denning. Which is a futile workout.

Her smaller functions made with recycled, cutout media visuals are stuffed with incongruous objects — fish, crops, fruits, snack food items, lizards, armchairs and a recurring tiny white canine. The level is the magnificence and attraction of impression, shade and composition that get the job done nicely alongside one another, not any overriding narrative.

“Collage: The Art of Recycling,” an show of 57 will work by Denning, is on look at by June 2 at the Dublin Arts Council. Denning, 81, who has two first names — Nan and Penney — lives and maintains a studio in Higher Arlington.

A graduate of Cornell College in New York with a Learn of Good Arts in portray from Ohio Condition University, she earlier integrated collage in her paintings and, for the earlier 12 decades, has worked completely in the medium of collage.

"Still Life #473" by N. Penney Denning

The is effective in the exhibit — all 8 by 6 inches and titled by amount — are hung at eye level. The juxtaposition of unlikely pictures, some distorted views and jaunty shades creates a quirky ambiance not with no humor and irony.

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“Still Life #525” has a large artichoke dominating a bowl of pink bouquets and two dolphins. In “Still Life #613” a goat and a pig stand on a blue cupboard with a speckled pitcher and vegetation in the foreground. A enormous stack of pancakes dripping with butter and syrup stars in “Still Everyday living #592” with a little peanut and a blue chair with a banana on it as co-stars.

Various of the parts have clippings from the Ohio Point out University newspaper, The Lantern, and a person has clippings about the Spanish influenza of the early 20th century paired with present day images, which include an airplane and an Oreo cookie. This may be the closest Denning will come to sending viewers a message — connecting the Spanish flu to up to date situations and COVID19.

"Still Life #382" by N. Penney Denning

In making her works, Denning mentioned she spends a ton of time poring above journals, newspapers and other media, cutting out pictures she finds appealing and attractive.

“When I start off a new piece, I look more than the illustrations or photos and a single will capture my awareness and that will be my centerpiece,” she explained. “I decide on a qualifications, a color or a sample, and then I go seeking for other factors to go with that 1st graphic and that ‘go with’ is really wide.

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“There’s no narrative indicating though often, just after I have carried out a piece, I will see associations.”

Employing recycled pictures is a nod to a concern for the environment, she mentioned, but is extra about wanting to use wonderful visuals that are there for the taking.

"Still Life #619" by N. Penney Denning

“We have all these great photos that we see in magazines, and we just really do not discover them,” Denning said. “That minor white dog, you find him in pet dog foods ads and all sorts of matters. He have to make a bundle of money because he’s everywhere.”

“Collage: The Artwork of Recycling” introduces an artist in really like with designs, shades and photos. Denning’s quirky collages tends to make a viewer enjoy the appeal of unique objects and how the seeming randomness with which they are set with each other can consequence in an pleasing art expertise.

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At a glance

“Collage: The Artwork of Recycling” carries on via June 2 at the Dublin Arts Council, 7125 Riverside Drive, Dublin. The gallery is open up by appointment from 10 a.m. to 3:30 p.m. Tuesdays by way of Thursdays and 11 a.m. to 2 p.m. the next Saturday of the month. To timetable an appointment, phone 614-889-7444 or go to dublinarts.org.

By Indana